World of Art | School for Curatorial Practices and Critical Writing | Public lectures | Archive
World of Art school, as an informal educational programme in the field of curatorial practices and critical writing attempts to open up spaces for specific production and distribution of knowledge. For this purpose, we made the contents of public lectures of the first years of the school available online to the wider interested public.
STRATEGIES OF PRESENTATION II and III, 2001/03
- Boris Buden: Art as a Political Intervention: The Austrian Case
- Anne Cartel, David Dronet: Multimedia cultural centre Station Mir
- Charles Esche: The possibility forum – institutional change and modest proposals
- Daniel Jewesbury: Scopo
- Ivana Keser: Author’s Newspaper: The Freedom of Misinformation
- Viktor Misiano: Strategies of Exhibiting from Modernisation towards De-Modernisation
- Tadej Pogačar: This Is What You Want – This Is What You Get
- Donatella Ruttar, Moreno Miorelli: Stazione di Topolo
- Nevenka Šivavec: The Lure of the Local
- ŠKART: Pesme koje su pobegle
- WHW: In Between: Independence and the Lures of Institutionalisation
STRATEGIES OF PRESENTATION I, 2000/2001
- Clémentine Deliss: Metronome: Curatorial Practice and Research beyond Exhibitions
- Branislav Dimitrijević: The Grand Compromise: On Examples of the Use of Political References in Serbian Art of the
90’s, and its Historical Background - Marion von Osten, Peter Spillman in Susanna Perin: Euro-Vision of the World of Art
- Mike Hentz: Translation
- Marko Košnik: Abstraction and Action
- Oliver Marchart: Political Strategies as Artistic Strategies: The Use of Multiple Names
- Olesya Turkina: St. Petersburg’s Neo-academism. Revival of the Great Story
- Miha Zadnikar: Restructuring Subculture
GEOPOLITCS AND ART, 1999
- Charles Harrison: The Merits of Incompetence
- Jaroslav Andel: Art’s shifting Grounds: The Case of Czechoslovakia / Czech Republic
- Călin Dan: Geography of Doom. An Estimate of Possibilities
- Borut Vogelnik: The privatisation of time
- Dušan Rutar: Digital Aesthetics, global Images and Ethics of New Tribalism
- Edi Muka: Permanent Instability
- Marko Peljhan: Permanent Instability
THEORIES OF DISPLAY, 1997/1998
- Stephen Bann: Display Across the Ages
- Ute Meta Bauer: Do-It-Yourself: Exhibitions by Artists during the 20th Century
- Nadja Zgonik: The Role of National Identity Research in Theories of Display in Slovenia: Between Past and Present
- Konstantin Akinsha: Notes on the Underground
- Tadej Pogačar: P.A.R.A.S.I.T.E. Museum of Contemporary Art and New Parasitism
- Igor Zabel: Exhibition Strategies in the Nineties: A Few Examples from Slovenia
- Vuk Ćosić: Net.Art, the Text