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        Video večer / Video Evening #03 
		  Contextual Face 
		  A screening evening 
        Tuesday, February  22, 2011 at 7 pm 
           Photon Gallery, Križevniška ul. 10, Ljubljana		 
  We are  informing you about the exhibition project of art group KOLEKTIVA, co-organized  by Vesna Bukovec, SCCA-Ljubljana's  webmaster. 
  
  Kolektiva Institute is  beginning with new series of monthly screenings Video Evening in Photon Gallery. Video Evening is an event in which  we screen video selections prepared by various invited artists, curators,  institutions, associations and festivals. 
     
            Duba Sambolec, NoHomeVideosC Code II, 2000, still 
  For the third Video Evening KOLEKTIVA invited artist  and curator Evelin Stermitz to prepare  a curated selection from ArtFem.TV,  her online television programming presenting art and feminism. 
Selected by: Evelin Stermitz (AT/SI)  
  Participating: Dominique  Buchtala (DE), Vesna  Bukovec (SI), Ana  Grobler (SI), Guerrilla  Girls (US), Michelle  Handelman (US), Kika  Nicolela (BR), Grace  Graupe Pillard (US), Angelika  Rinnhofer (DE/US), Duba  Sambolec (SI/NO), Evelin  Stermitz (AT/SI), Alison  Williams (ZA), Liana  Zanfrisco (IT) 
  
  About  the selection 
  Various  women artists are including their own face as an iconographic object and symbol  bearer in their art works, or using the face of others, the former photographic  portrait, transcending into the moving image. This video series addresses  variant meanings of the woman’s face in a context of women’s issues when  embedded in a socio-cultural heritage. The face can be seen as more then a  signifier of our cultural norms, in the context of women often foregrounded not  only as indicator for individual remembrance, not only associated to cultural  norms such as beauty stereotypes, objectification of commodified women in  advertisements, and not only as a surface for self-creation when mirroring the  self to others, but read as political text and statement in a broader context. 
  All videos  in the selection are part of the online video archive ArtFem.TV
  
              
  Total screening time: 00:48:00   
  
              
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            Visions from the  Future is dedicated to video makers and audio-video researchers. It was born inside Cronosfera Festival as a video contest,  a venture devoted to visions, researches and Space-Time perceptions amongst the  new generations, and although remaining inside Cronosfera Festival, keeping its  trail-blazing spirit, broadens and presents itself separately as a festival  dedicated to video, with projections, video installations and evenings of audio  video live performances. Visions from the Future aims to be an international  window for works realized with the new media technology, starting from Video,  declined in all its meanings and modes. A festival that fuses cinema, the  audio-visual world and new technologies, conjugating science and art. A  festival that gives place to digital culture, to interactive systems for  artistic applications and to audio-visual performances. Today more than ever  the reflection on personal and collective future, Science and Science Fiction  have shifted from a sociological to a personal and daily context, in a plot of  past, present and future more and more intriguing. The Artistic expression,  ever since, anticipates and expresses thoughts, anxieties, individual and  collective feelings. Visions from the Future dedicates the filmic imagery to  the future, and investigates expressive tools of special topicality, proposing  what is of human interest in the world of the new media. 
            Selected by: Cronosfera Project [Luisa Mizzoni aka  luxi lu, Francesca Mizzoni aka Infrason, Emilio Corti] (IT) 
             Participating: Massimo Avantaggiato (IT), Tom Beddard (UK), Thorsten Fleisch (DE), Tobias  Gundorff Boesen (DK), Bryan Lauch (US/SI) & Petra Pokos (SI), Luca Christian Mander (IT), David Montgomery (US), Diego Pascal Panarello (IT), Rimas Sakalauskas (LT), Fabio Scacchioli (IT), Angela Stefen (DE), Vladimir Todorović (CS/SG), Isacco Vasapollo (IT), Alessandro Vitali (IT) 
                          Total  screening time: 01:33:44 
More  information (descriptions & images of videos & artists’ CVs): 
  http://www.kolektiva.org/producing/video-vecer-video-evening/iridescent-world/descriptions-images-of-videos             
            
            About  the curator 
             Evelin Stermitz,  lives and works in Austria and Slovenia. She graduated with an M.A. degree in  media and new media art from the Academy of Fine Arts and Design, University of  Ljubljana, Slovenia, and is holding a master’s degree in philosophy from media  studies. Her works are in the field of media and new media art with the main  emphasis on post-structuralist feminist art practices. Evelin Stermitz received  grants for the International Summer Art School of the University of Arts in  Belgrade, Serbia, and the International Summer Academy of Fine Arts in  Salzburg, Austria, within the media class by VALIE EXPORT. Besides her artistic  work, Evelin Stermitz’s research work is focused on women artists in media and  new media art. Evelin Stermitz founded ArtFem.TV – Art and Feminism ITV  (www.artfem.tv) in the year 2008 and received a special mention for ArtFem.TV  at the IX Festival Internacional de la Imagen, University of Caldas, Manizales,  Colombia, in the year 2010.
  
            www.evelinstermitz.net  
            www.artfem.tv 
            
              
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            Production: Kolektiva Institute 
Co-production: Association/Gallery Photon, ArtFem.TV 
Project  supported by: Ministry of Culture of the  Republic of Slovenia, Municipality of Ljubljana  
Sponsor: Center Projekcije 
            More info:
              
            Photon  Gallery/ Photon Association 
              Festival  Photonic Moments 
              Križevniška  10, 1000 Ljubljana 
              t:  +386 1 2302071 
              m:  +386 41 258215 
              www.photon.si 
              www.mesecfotografije.si 
            Opening  time: Mon.-Fri.: 11am-2pm / 3pm-6pm 
            [Published February 18, 2011] 
              
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