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              World of Art;  School for Curators and Critics of Contemporary Art; 13th year 
            Tadej Pogačar: Quarter to Two 
Exhibition  
 April 13 – May 6, 2011 
  Alkatraz Gallery, Metelkova City, Ljubljana 
            You are cordially invited to the opening of the final  exhibition of the13th year of the World of Art school on Wednesday, 13th April, at 8pm at the Alkatraz Gallery, Metelkova City. 
            Artist: Tadej  Pogačar 
              Curators: Ana  Grobler, Iva Kovač, Yasmín Martín Vodopivec, Špela Pavli, Lara Plavčak, Vladimir  Vidmar, Asta Vrečko, Mojca Založnik 
              Tutors: Jože  Barši, Nevenka Šivavec 
            
              
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           It was in April 2010 that we started  with the 13th year of the rearranged school of the World of Art, based on the solid  foundation of a several-year long research of various curatorial courses,  analyses of curatorial practices, consultations with competent local and  international experts as well as the evaluation of the past course. The 13th  year has two terms: the 1st term (April–June 2010) was devoted to  the acquisition of art-historical, theoretical, and methodological knowledge,  the 2nd term (September 2010 – May 2011), however, to curatorial and  critical studies as well as practical tests. The first term was attended by 11  participants, and there were 8 candidates registered at the second term. They  were dealing with the conception and execution of the final exhibition under  the tutorship of Nevenka Šivavec and Jože Barši.   
           The attendants of the course, namely Ana Grobler, Iva Kovač, Yasmín Martín Vodopivec,  Špela Pavli, Lara Plavčak, Vladimir Vidmar, Asta Vrečko, and Mojca Založnik, have  chosen a monographic exhibition, a rare occasion in the history of the school  (all the exhibitions with the exception of the one in 2008 of a Rumanian artist  Mircea Nicolae, were group ones).  
           The  final act of the one-year curatorial education is a solo exhibition of Tadej Pogačar, and the co-operation  will continue this June at the artist’s retrospective exhibition at the Museum  of Contemporary Art of Vojvodina in Novi Sad.            
           
           Tadej Pogačar: Quarter to Two, 1994 
             
  Tadej Pogačar, Quarter to Two, 1994 
  Installation at the permanent installation  of Selected works of Slovenian authors  from the collections of the Museum of Modern Art, Museum of Modern Art,  Ljubljana, 1994–1995 
  Photo: Matija Pavlovec, 
  Courtesy of the author and Museum of  Modern Art, Ljubljana 
           In 1994, the  Museum of Modern Art invited Tadej Pogačar and his institution P.A.R.A.S.I.T.E.  museum to intervene at the exhibition of works that had been recently included  into the gallery’s collection. With his work, entitled Quarter to Two, Pogačar intervened in the  exhibition by changing the gallery space into a waiting room. Above the main  entrance into the room he hung a non-operating clock, set to fifteen minutes to  two - the time when employees were already getting ready to leave their work  posts for home. The exits leading into other exhibition spaces were marked with  signs of the four directions, but not in the right order, and there were two  rows of chairs in the middle of the space.  
             With minimal  means and the formal gap between this work that has never found its way into  the collection of the Museum of Modern Art, and the exhibited ones that had  become part of this collection, the artistic intervention appealed to the idea  of waiting of the artist and the artworks for the competent institutions who have  the authority to certify, historicize, elevate or dump works of art.  
             Curatorial text (pdf) 
           Production: SCCA, Center for Contemporary Arts – Ljubljana / World of Art  
             Co-production: KUD Mreža / Alkatraz Gallery  
             Support: Municipality of Ljubljana City, Department for Culture, Ministry of  Culture of the RS  
            
           PHOTO FOR PRESS 
                        Please title the photos as follows: 
             Tadej Pogačar, Quarter to Two, 1994 
             Installation at the permanent installation  of Selected works of Slovenian authors  from the collections of the Museum of Modern Art, Museum of Modern Art,  Ljubljana, 1994–1995 
             Photo: Matija Pavlovec 
             Courtesy of the author and Museum of  Modern Art, Ljubljana 
              
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              Tadej Pogačar (b.  1960) is an artist and the art director of the Centre and P74 Gallery in  Ljubljana. After studying Ethnology and the History of Art at the Faculty of  Arts in Ljubljana he has graduated from the Department of Painting at the  Academy of Fine Arts and Design where he has also completed his postgraduate  studies. In the period 1994-1999 he was the chief editor of M'ARS magazine, the  main magazine in the field of contemporary art. He is the founder and director  of P.A.R.A.S.I.T.E., a museum of contemporary Art. He has participated at  numerous international exhibitions of contemporary art, e.g. the 10th  Istanbul Biennial, San Francisco Art Institute, 49th Sao Paulo Art  Biennial, 3rd Tirana Biennial, ZKM Karlsruhe, 49th Venice  Biennial, the Stedelijk Museum, the Arte Carillo Gil Museum in Mexico City, the  Museum of Modern Art in Vienna, the Moderna Museet in Stockholm. For his works  Tadej Pogačar has received several awards, including the Franklin Furnace Award  in New York (2001), the »Trend« award for exceptional achievements in the field  of visual art (2008) and the leading national “Jakopič Award” for fine arts  (2009). 
              
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Since 1997 World of Art, the School for Curators and Critics of Contemporary Art has  been establishing a wholesome and internationally conceived infrastructural  system of education for young curators, critics, theoreticians and researchers  of contemporary art. The  Curatorial course – as one of the school segments –  on a long-term and systematically establishes a platform for the understanding  of contemporary art, teaches young, future curators, organizers, theoreticians,  critics etc. the knowledge and skilfulness for expert functioning in the world  of contemporary art. The programme consists of lectures, seminars, workshops,  research work, and modules about curator’s practical work, study excursions and  gallery practice. The process is composed of event organization, studio visits,  meetings with curators, artists, theoreticians and writers as well as group  work at conceptualization and the execution of the exhibition of contemporary  art under tutorship. 
School leader: Saša Nabergoj 
  School coordinator: Sonja Zavrtanik 
More on the World of Art website  and Alkatraz Gallery 
 
            [Published April 11, 2011] 
              
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